One career, four completely different resume formats. A music teacher submits a credentials-forward document with state certifications and student outcome data. A touring performer lists venues, headlining status, and recordings. A session musician leads with instruments, genres, and notable clients. An orchestral audition candidate submits a formal CV with repertoire lists and competition history. Submitting the wrong format to the wrong opportunity signals that you do not understand the industry. This guide covers all four, with filled-in examples for each.
The Four Types of Musician Resumes
| Resume Type | Format Style | Key Sections | Who Uses It |
|---|---|---|---|
| Music Teacher | Standard chronological | Education, certifications, teaching experience, student outcomes | K-12 teachers, private instructors, music school staff |
| Touring/Performing Musician | Credits-forward, narrative | Performance history, recordings, tours, venues, instrument list | Band members, solo artists, touring performers |
| Session Musician | Skills and credits hybrid | Instruments, genres, recording credits, notable clients or productions | Studio musicians, hired players, recording artists |
| Orchestral (Audition CV) | Academic CV style | Education, training, performance history, concerto list, competitions | Symphony orchestra auditioners, chamber musicians |
Music Teacher Resume
A music teacher resume follows the same structure as any education-sector resume. Hiring committees at schools and music education programs use ATS in many districts, so standard formatting matters. Lead with certifications relevant to the region, then education, then teaching experience with measurable outcomes.
Key sections specific to music teaching: instrument proficiency list, grade levels taught, ensemble types directed (concert band, choir, strings, jazz ensemble), curriculum developed, and any Orff or Kodaly certification.
Example: Music Teacher Resume
SARAH ALDERMAN
sarah.alderman@email.com • (614) 555-0183 • Columbus, OH • LinkedIn: linkedin.com/in/sarahalderman
PROFESSIONAL SUMMARY
K-8 music educator with 9 years of experience building performance-based curriculum in public schools. Directed concert bands that achieved Superior ratings at three consecutive OMEA district assessments. Ohio State licensed, Orff Level III certified.
CERTIFICATIONS & LICENSURE
- Ohio State Teaching License, Music PK-12 (Active through 2028)
- Orff Schulwerk Level III, Capital University
- Kodaly Level I, Eastman School of Music
EDUCATION
- M.M. Music Education, The Ohio State University, 2017
- B.M. Music Education (Instrumental), Bowling Green State University, 2015
EXPERIENCE
Instrumental Music Teacher, Westview Elementary School, Columbus City Schools (2017 to present)
- Teach general music and instrumental classes to 480 students in grades 3 through 8
- Direct two concert bands (5th/6th grade and 7th/8th grade); earned Superior rating at OMEA District 12 Assessment, 2022, 2023, and 2024
- Developed a school-wide ukulele curriculum adopted by three neighboring schools
- Increased after-school ensemble participation by 42% over three years through recruitment events
Music Teacher (Long-Term Sub), Dublin City Schools (2015 to 2017)
- Covered K-5 general music across two elementary schools during maternity leave coverage
INSTRUMENTS
Flute (primary, performance level), Piano (proficient), Guitar (proficient), Voice (alto, proficient)
This example is fictional and for illustration only.
Touring/Performing Musician Resume
A performer resume documents your professional career as a performing artist. It functions less like a traditional resume and more like a credits document: venues, recordings, tours, collaborations. The goal is to show booking agents, labels, and festival programmers the scope and quality of your performance history.
Include streaming metrics (Spotify monthly listeners, YouTube subscribers) if they are significant enough to be relevant to the opportunity. For smaller artists, omit numbers that may undercut credibility and lead with the strongest venue or collaboration credits instead.
Example: Touring/Performing Musician Resume
MARCUS VEGA
marcusvegamusic.com • manager@marcusvegamusic.com • (512) 555-0164 • Austin, TX
ARTIST PROFILE
Independent singer-songwriter and guitarist based in Austin, TX. 3 studio albums and 1 EP released since 2018. 85,000+ Spotify monthly listeners. Genre: Americana/Roots Rock. Available for touring, festival bookings, and licensing.
INSTRUMENTS
Guitar (acoustic/electric, lead), Lap Steel, Piano (functional), Vocals (tenor/baritone)
DISCOGRAPHY
- Broken Ground (Album, 2024, independent) — charted at #14, Americana Radio chart, Roots Music Report
- Highway Saints (Album, 2022, independent) — 1.2M Spotify streams
- River Bends (EP, 2020, independent)
- Long Way Home (Album, 2018, independent)
TOURING HISTORY
- Headlining US Tour (2024): 22 cities, avg. 400 cap. venues, 80% sold out
- Support: The Lone Bellow, 18-date US tour (2023)
- Support: Shakey Graves, 12-date US tour (2022)
- South by Southwest Official Showcase, Austin TX (2022, 2023, 2024)
- Americanafest Official Showcase, Nashville TN (2021, 2023)
PRESS / SYNC
- Featured: No Depression, American Songwriter
- TV sync: "Broken Ground" placed in Netflix limited series (2024)
This example is fictional and for illustration only.
Session Musician Resume
Session musicians are hired for their specific instrumental skills, genre versatility, and ability to deliver on tight studio timelines. The resume centers on instruments and genres first, then notable recording credits. Producers and music directors need to know immediately whether you play what they need, in the style they need.
List recording studio experience with studio names, notable artists or productions you have contributed to, and any software or gear relevant to your workflow. A discography credits section listing albums and films where your playing appears is the session musician equivalent of a work history section.
Example: Session Musician Resume
ELENA CROSS
elenacrossbass.com • bookings@elenacrossbass.com • (310) 555-0191 • Los Angeles, CA
INSTRUMENTS
Electric Bass (primary), Upright Bass, 5-String Bass, Fretless Bass
GENRES
R&B, Soul, Neo-Soul, Funk, Pop, Jazz, Gospel, Latin (Salsa/Cumbia)
STUDIO CREDITS (Selected)
- Bass on 3 tracks, Bloom by Jasmine Lake (Atlantic Records, 2024)
- Session bass, Full Circle by The Carter Collective (independent, 2023)
- Live bass tracks, Sunday Morning EP by Devin Sparks (2023)
- Bass and arrangement consultation, Golden Age by Prima Donna (2022)
- Film score bass: Crossing Meridian (Lionsgate, 2022, composer: Dana Weiss)
STUDIOS
EastWest Studios (LA), Henson Recording Studios (LA), RCA Studio B (Nashville, remote sessions)
LIVE SESSION WORK
- Musical Director's band, Grammy Awards telecast (2023, 2024)
- CBS Late Night house band sub (2022 to 2024, approx. 40 appearances)
SOFTWARE / GEAR
Pro Tools, Logic Pro X, Ableton Live; DI recording and amp miking; remote session delivery via Source Connect
This example is fictional and for illustration only.
Orchestral Audition CV
The orchestral audition CV (sometimes called an audition resume) follows a format closer to an academic CV than a standard resume. There is no work history section in the traditional sense. Instead, you document your training lineage, performance history, competitions, awards, and repertoire.
Key sections for an orchestral audition CV:
- Education: Degree, institution, primary teacher. Training lineage matters in classical music; teachers are often as recognizable as institutions.
- Masterclasses and additional training: Summer festivals (Tanglewood, Ravinia, Aspen), masterclass instructors, and international programs.
- Performance history: Orchestras you have played with, your section and chair, and seasons or dates.
- Competitions: Competitions entered, rounds reached, and prizes won.
- Concerto list: Major works performed with orchestra, by composer and conductor.
- Orchestral excerpt list: For some positions, a list of standard orchestral excerpts you have prepared may be requested.
Example: Orchestral Audition CV (Violin)
ANNA KOWALSKI
anna.kowalski.violin@gmail.com • (617) 555-0122 • Boston, MA
EDUCATION
- M.M. Violin Performance, New England Conservatory, 2024 (Instructor: Jonathan Swartz)
- B.M. Violin Performance, Eastman School of Music, 2022 (Instructor: Mikhail Kopelman)
ADDITIONAL TRAINING
- Tanglewood Music Center, Orchestral Studies (Summers 2022, 2023)
- Masterclass with Hilary Hahn, NEC, 2023
- Aspen Music Festival, Chamber Music Focus, Summer 2021
PERFORMANCE HISTORY
- New England Conservatory Orchestra, Section Violin (2022 to 2024)
- Tanglewood Music Center Orchestra, Section Violin (Summers 2022, 2023)
- Eastman Philharmonia, Principal Second Violin (2021 to 2022)
- Rochester Philharmonic Orchestra, Section Violin (sub) (2021 to 2022)
COMPETITIONS
- Schadt String Competition, Finalist (2023)
- NEC Concerto Competition, Semifinalist (2024)
- Eastman School Concerto Competition, Winner (2022)
CONCERTOS PERFORMED
Sibelius Violin Concerto in D minor; Brahms Violin Concerto in D major; Mendelssohn Violin Concerto in E minor; Mozart Violin Concerto No. 5 in A major
This example is fictional and for illustration only.
Skills and Software Section for Musicians
Many music roles, particularly in education, corporate entertainment, and the music technology industry, use ATS. For those applications, a skills section with specific software and tool names improves parsing and keyword matching.
| Category | Relevant Skills and Software |
|---|---|
| Notation software | Sibelius, Finale, MuseScore, Dorico |
| DAWs (Digital Audio Workstations) | Pro Tools, Logic Pro X, Ableton Live, FL Studio, GarageBand |
| Music theory | Counterpoint, harmony, orchestration, ear training, music analysis |
| Teaching platforms | SmartMusic, Noteflight, Google Classroom, Sight Reading Factory |
| Recording tools | Microphone technique, DI recording, MIDI programming, mastering basics |
| Distribution and streaming | DistroKid, TuneCore, Spotify for Artists, YouTube Studio |
Include only the software and tools you genuinely use. Listing Pro Tools on a session musician resume but being unable to run a Pro Tools session when asked will undermine your credibility immediately.